System 2412 1.0

'System 2412' is a noteworthy writing system application designed to generate atonal chord progressions with ease. Users can effortlessly create progressions by simply pressing a button or develop them from scratch based on preferred tonalities.

The app constructs progressions consisting of 12 distinct note groups, each containing 3 notes. Every note group is assigned its own time signature, which can be tailored from 1 to 16 beats per measure, while the tempo ranges from 80 bpm to 400 bpm.

Once a progression is established, users can record the audio directly onto a DAW or multitracker to facilitate the writing and recording process. The notes within these groups can be employed to craft riffs and melodies, practice soloing, overlay melodies onto progressions, incorporate drums, or explore various creative avenues for songwriting and improvisation.

It is important to note that the app predominantly generates clusters rather than traditional chord progressions, utilizing all 12 notes three times. Consequently, while common chord progressions may be encountered occasionally, they are not the focus. The primary objective of this application is to foster the creation of unique soundscapes, encouraging users to experiment with unconventional tonality shifts that may initially challenge their ear and lead them into unexplored musical realms.

For those interested in mastering the app's functionalities, a tutorial is available at www.ronjarzombek.com/rjapptutorials.html.

An illustrative example of the app’s capabilities can be found in the composition titled 'We Have Controlled The Federation,' which was exclusively crafted using progressions generated by 'System 2412.' This piece is available for listening at this link.

For individuals seeking to break free from conventional progressions or aiming to enhance their theoretical knowledge and understanding of compatible scales, 'System 2412' may prove to be a valuable resource.

'System 2412' operates with a straightforward interface featuring 24 blocks on the top two rows and an additional 12 blocks on the bottom row. The notes on the upper rows are programmed with either a string sound or keyboard sound and have muting capabilities. The lower row notes provide string sounds that can be transposed down two octaves for bass applications.

If dissatisfaction arises with a certain "note group" or "cluster," users have the option to substitute individual notes as desired by replacing them with alternatives.

Users can initiate or halt playback at any point within the progression by clicking below a note group before pressing play once again.

For more details visit www.ronjarzombek.com.